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Name : Gauswami
Surbhai A.
Assignment
Topic : An Essay of Dramatic Poesy By
Dryden
Roll
No. : 32
Submitted
to : Dr. Dilip Barad
MKBU
Bhavnagar University
Batch
Year : 2016-18
by
John Dryden
Johan
Dryden (9 Aug. 1631-1700) was an English Poet, literary critic,
translator and playwright after John Donne and john Milton, John
Dryden was the greatest English poet of the 17th Century. After
Shakespeare and Ben Johnson, he was the greatest playwright.
* About
John Dryden
* Born
on : 9 August, 1931 Ad
* Also
listed in : Poets, playwrights
* Religion
: Roman Catholic
* Nationality
: British
* Father
: Erasmus Dryden
* Mother
: Mary Pickering
* Education
: College, Cambridge, West minister School
University of Cambridge
He
is the major voice of restoration age that's why this age is also
known as the age of Dryden Dr. Samuel Johnson quote him as :
"The
father of English criticism, who first taught us to determine upon
principle the merit of composition".
Tn.
1668 he wrote his most important prose work of dramatic poesy, an
essay the basis for his reputation as the father of English literary
criticism.
Five issues are under
discussion in this essay :
Ancients Vs moderns
Unities
French vs English Drama
Separation of Tragedy and
comedy vs tragicomedy.
Appropriateness of rhyme in
drama.
Dryden wrote this essay as a
dramatic dialogue with four character representing four critical
positions. These four critical positions deal with five issues.
Eugenius favors the moderns
over the Ancients.
Crites argues in favor of the
ancient.
Lisideius argues that French
drama is superior to English drama.
Neander favors the moderns
but does not disparage, the ancients. He also favors English drama
and has some critical things to say of French drama.
Dryden's
definition of Drama :
"A
just and lively image of human nature representing it's passion and
humors and the change of fortune to which it is subject for the
delight and instruction of mankind ?"
According
to this definition drama is an image of human nature and that the
image is 'just' as well as 'lively'.
By
using the word 'Just' Dryden seems to imply that literature imitates
human actions. For the imitation is not only 'just' it is also
lively.
The
definition of drama is divided into three parts.
The
first part evokes that drama is the just and lively image of the
human nature in the central part of the definition he wants to say
that drama must be present the life as it is and it should have the
essence of realism. He ended his definition with delight and
instruction to the mankind.
There
is no artificiality in the drama, it should be natural. There most be
a passion and humors but as a part of life. Dryden uses the word
delight and not pleasure. Pleasure may be sensual and delight is for
the divine in the history of civilization there must be instruction
but if it's come in delightful manner it creates land mark event.
Dryden's
liberalism, his free critical disposition is best seen in his
justification of the violation of three unities.
French
plays sticks to follow three unities, but they are often betrayed
into absurdities from which English plays are free.
The
English disregard of unities enables them to present a more 'just'
and lively picture of human nature in comparison to French
playwrights for eg. Shakespear's plays are more just and lively image
of human nature.
If
the ends of drama are better fulfilled by a violation of the unities,
then there is no harm in violating them.
The
Ancient us. Moderns Controversy :
In
his 'Essay on dramatic poesy' Dryden has argued moderately on behalf
of modern the mouth of Eugenius one of the four debtors in the essay.
The case for the ancients is presented by Crites.
Crites
favors the ancients and says that :
The
superiority ancients is established by the very fact that the modern
simply imitate them.
Dramatists
and poets after rewarded and encouraged according to their merits in
ancient time but in modern times poets are neither suitably honored
nor are rewarded. They criticize others, instead of themselves trying
to do better.
Crites
argues that ancients closely observed nature and faithfully
represented her in their work.
According
to ancients three unities are ought to be observed in every regular
play.
Eugenius
then replies to Crites and speaks in favor of the moderns :
In
the very beginning he acknowledge that the moderns have learnt much
from the ancients but after their several efforts they have added to
what they have gained from them and as a result that they now excel
them in many ways.
Ancients
did not divided their play into acts. They wrote without any plan and
when they could write a good play their success was more a matter of
chance than of ability.
As
far as the plot or fable of the ancients is concerned it locks
originality.
Some
of the writers of ancients did not follow the unity of place for eg.
Terence and Eripidies.
There
is too much of narration at the cost of action.
There
is no poetic justice in their plays.
Their
themes ofter arouse horror and Terror.
* Lisideius's
view in favor of the French playwrights :
Lisideius
spoke in favor of the French. He believes that the French are
superior to the English for various reasons.
French
playwright faithfully observed the rules of the ancients. The unities
of time, place and action they observed so scrupulously.
The
plots of French plays are based on some well known story, but they
modifies their story by mixing truth with fiction. While modern
dramatist do not modify and transfer their stories for dramatic
purpose.
French
do not burden play with too much plot they give attention to one
single passion to depicts it well but The English more hurried from
one passion to author and so fail to represent well any of them.
French
play give equal value to every character. There is not even a single
character who does not have some in the action.
Another
fact in the English play is the representation of death on the stage.
But according French plays death should better to be described or
narrated rather than represented.
The
French are also superior in their use of rhyme the English also use
rhyme but generally their rhymed plays are badly writer.
* Neander
Favors English Dram :
Neander
favors English drama and has some critical things to say of French
drama Neander remarks about French plays.
"They
are indeed the beauties of a statue but not of a man."
Neander
criticizes French drama, essentially for it's smallness. It's pursuit
of only one plot without subplot, it's tendency to show too little
action observations of the writers dearth of plot and narrowness of
imagination are all qualities which render it inferior to English
drama/
Dryden's
Comparative criticism of Shakespeare and Ben Johnson :
Dryden
says about Shakespeare :
"Had
the largest and most comprehensive soul."
While
Johnson was "The most learned and judicious writer which any
theater ever had."
Ultimately
Neander prefers Shakespeare as compared to Johnson:
Dryden
comments on their respective merits :
"If
I would compare him with Shakespeare, I must acknowledge him the more
correct poet, but Shakespeare was the Homer, or father of our
dramatic, poets Johnson was the Virgil, the pattern of elaborate
writing, I admire him, but I love Shakespeare."
Controversy
regarding use and avoidance of rhyme in drama.
Crites
objects to rhyme in plays and says "since no man without
premeditation speaks in rhyme neither ought he to do it on the
stage."
"Rhyme
is incapable of express the greatest thought naturally.
Crites
argues that rhymes verse is unnatural so it should not in the drama
in counter argument Neander advocates that rhymes should be there in
drama because when we read literature it appears our sense of vision
and sense of listening. So the rhyme words add true to the work
Neander argues that is advisable to use musical language in rhymed
one. He defines that rhyme is sugar quoted ornament which adds
sweetness to the language. So its good to write in rhyme.
Dryden
displayed his ideas about the drama through his essay on dramatic
poesy in which he has explained the different aspects of drama in the
best way. In this way, Dryden's commitment to the neoclassical
tradition is displayed.
Citation
:
www.online
- literature.com/dryden
Material
of Dryden's essay.